Category Archive: Classical Music
Bel Canto, davvero!
Alberich monsters Mime (by Arthur Rackham)
Richard Wagner Society of South Australia – Wake for Wagner (18 for 13) February 2024 President Geoffrey Seidel welcomed, and Barbara Fergusson interviewed, tenor Andrew Goodwin. Andrew grew up in the inner west Sydney suburb of Summer Hill and after certain vicissitudes, got the opportunity, arranged by Mira Yevtich, to study at the St Petersburg State Conservatory. Since then, he has appeared in numerous roles* and performed with all the major Australian symphony orchestras, but thus far at least, in few Wagner operas (when this was pointed out, he hilariously channeled “The Fast Show” and said: “I’ll get my coat.”)…
Continue Reading →Maestro
(Directed by Bradley Cooper – Netflix, 2023) Maestro is not a biopic of Leonard Bernstein, a popular and influential conductor, composer and musicologist. We do follow his career, but high and low points are marked by whirls of scenic grabs and musical snatches. The film’s focus is on Bernstein’s long and bumpy marriage to Felicia Montealegre, going from breathless first-flush intimacy, to star couple, to cold understanding, to a final tenderness. Whilst this renders the film a little thin, putting it mildly, it succeeds upon its chosen horizon. This is due to great turns by Bradley Cooper and, in particular,…
Continue Reading →Escolania De Montserrat
(AF, Adelaide Town Hall, 4 March 2023) Founded in the 13th century, this ensemble is the oldest extant boys’ choir in the world and its rigorous training and selection criteria ensure its standards never slip. The choirboys of Escolania are taught the Benedictine sacred repertoire at the Santa Maria de Montserrat Abbey in Catalonia (established in 1,025AD). Their core duty is to enliven pilgrims who come to Montserrat, so to see them on tour – 36 of the full complement of 50 – is quite special. Llorenç Castelló (see below) conducted the choir, who entered the Hall from the back,…
Continue Reading →Tár
Directed by Todd Field (2022) To err is human; to forgive, Divine; to cancel, de rigueur. Lydia Tár (not her real name?) is a pianist, ethnomusicologist, composer, and the first female chief conductor of the Berlin Philharmonic. She’s as busy as a bee: at a festschrift, she plugs her new book to Adam Gopnik of the ‘New Yorker’ (they wouldn’t invite Steve Bannon, but this luvvie? No problem!) and she is preparing the forthcoming live recording of Mahler’s 5th. She’s teaching (and bullying) at Juilliard; lunching with a moneyman who wants to pick her brains; she’s hiring and firing; she’s…
Continue Reading →Bridge of Dreams
OzAsia Festival, Adelaide, 27 October 2022 It may be time to revisit Kipling’s dictum: “East is East, and West is West, and never the twain shall meet.” “Bridge of Dreams” is an unlikely but pretty impressive combination of Hindustani music and big band progressive jazz. At Her Majesty’s Theatre in Adelaide, Saxophonist, composer, and improviser Sandy Evans collaborated with tabla (a pair of twin hand drums from the Indian subcontinent, since the 18th century the principal percussion instrument in Hindustani classical music) players Aneesh Pradhan and Bobby Singh, singer Shubha Mudgal, harmonium player Sudhir Nayak, and the Sirens Big Band,…
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